Inspiration

Interview With Award Winning Wildlife Photographer Sudhir Shivaram

Today I am glad to introduce you to the award winning wildlife photographer Sudhir Shivaram. I am a huge fan of his photography, and I am happy that he found some time to answer a few questions about him and his photography.

About Sudhir Shivaram 

wildlife photographer Sudhir Shivaram
“The bottom-line of Wildlife Photography is – We are in it because we love it, not with the hope of making a lot of money”

Sudhir Shivaram is a renowned wildlife photographer in India. His long and passionate association with photography began in his student days. What started out as an exploration of the enchanting world of the camera gradually gained direction and came to focus upon wildlife photography — in particular, bird photography. Sudhir is deeply committed to the cause of wildlife conservation and follows ethical practices while photographing his subjects in the wild. He believes that wildlife photography is not underscored by photographic hardware and skills alone. A deep understanding of and concern for the wild environment ought to be an integral part of a good nature photographer’s ‘eye’ in order to be able to convey the spirit behind a picture.

His pictures are noteworthy for their technically sophisticated and evocative character, generating appropriate moods to move viewers. This green evangelist campaigns for wildlife protection around the world and gives freely of his time and images to raise awareness about nature and wildlife. He also talks about his work and the state of wildlife to young people across the country hoping to inspire and win their commitment to this cause so dear to him.

Sudhir is one of the brand ambassadors for Canon India and is part of the Canon Professional Photographers Panel aimed at providing value added services for the Canon customers. In order to share his passion for wildlife photography and the extensive knowledge he has acquired in this field, Sudhir holds photography workshops and photo tours to help both beginners and advanced photographers enhance their skills and understanding of nature and wildlife photography.

Being part of the India Nature Watch team, Sudhir makes some free time coordinating the activities of this online forum which has over 7500 users who share their joy for nature and photography. He works full time as General Manager in an MNC heading a small software division.

Congratulations on winning the 2012 Sanctuary Asia Wildlife Photographer of the year award. Could you share how you got the image?

Thank you for the wishes. The image was taken at Kabini backwaters in the Rajiv Gandhi (Nagarhole) National Park. During the evening safari at Kabini, we came across this Leopard which was on a tree with a spotted deer kill. We spent around two hours photographing it and finally had to leave at 6:30pm in the evening.  Since it would have consumed the kill overnight, we knew that the Leopard would be around the same place the next morning.

Leopard sleeping on a tree
The Award Winning Shot

The next morning we visited the same place and found it resting on a different tree. Its belly looked filled. It was relaxing there and was least bothered with the presence of so many jeeps. We stayed with it for the whole morning and photographed it in different lighting conditions. In the afternoon we came back to this place and still found it on the same tree, sleeping. This Leopard was on the same tree for a whole 12 hours from morning to evening.

Why did you select that image for the contest? According to you, what makes an award winning shot?

The mood, lighting and the habitat is what I liked in this image. The theme of the contest was “Call of the Wild”, and this, according to me, depicts the theme. I personally like this image as it has a painting feel to it.

It’s a difficult one to answer about what makes an award winning shot (from a competition perspective). I participated in a competition after a gap of more than 3 years. For me, personally, every image is an award winning shot if it meets the some of the following criteria:

  • Capturing an image which represents the wildlife in their natural habitat and does not show any kind of undue stress on the animal.
  • The image should convey a story and a message.
  •  It has to be a natural history moment.
  •  It has to be unique and out of the box.
  •  The photo need not be a close portrait of the animal.
  •  An image showing the habitat and convey the mood of the forest / environment

A golden Duck in mist

 

How did you get into wild life photography?

I owe this to two of my very good friends – Chaitra Ramaiah and Rajesh Puttaswamaiah. In fact it was Chaitra who took me to BR Hills and introduced me to Wildlife. He himself is an excellent wildlife photographer and a good naturalist. All three of us used to frequent the forests around Bangalore and Mysore. During the initial period in 1996, we used to be out in the jungles almost every weekend. Thanks to my twin sister Sunitha who presented me the Canon EOS Elan IIE and the Canon 75-300 IS Lens. That set me up for Wildlife Photography. Later joined India-Nature-Pixs , a Yahoo group and met more like minded people. My interest in nature grew and I have never looked back again 🙂

Portrait of a Tiger

What inspires you about wild life photography?

Nature itself is so amazing that I can spend the entire day in the forest without making a single image. The kind if surprises you get in nature and the number of things it teaches you is fascinating. The other important thing is – Wildlife is not just Tigers and Leopards. The behavior of every single living being in the jungle is different and needs to be studied. To be honest, I am not a Tiger person. I do not go into the jungles to look for Tigers or Leopards. So many times I have spent a lot of time with common subjects like Spotted Deer or Sambar Deers. Of course, the forests have the other favorite subject of mine – Birds. Many of the forest birds are so colorful that you forget about the worries or your concrete jungle and enjoy the beauty of nature.

 Silhouette bird against setting sun as backdrop
Magic unfolds

 The joy of watching birds and animals in their natural habitat and observing their behavior arouse a lot of interest in nature. Capturing those moments and sharing with friends and family helped me to spread that joy of nature. My passion towards wildlife grew and I got involved in a lot of conservation related activities and projects. I contribute my images free of cost for this purpose and is used by a lot of NGO’s and other organizations all over the world. This makes me happy as I am able to contribute back to nature in a small way.  But above all, the ultimate inspiration is my own satisfaction of being one with nature!

 What kind of equipment you use now, and what did you start with?

Equipment upgrade is one of the hottest topics of discussion between photographers. I started with a very old German camera. Complete manual exposure and it had split focusing mode for focusing. My first DSLR was gifted by my twin sister – the Canon EOS Elan IIE and 75-300 IS lens. Later my wife gifted (50%) me the Canon 100-400 L IS Lens. Then the rest of the upgrade followed -> Canon 10D-> Canon 30D -> Canon 1D Mark III -> Canon 1D Mark IV and finally now I use the Canon 1DX. On the lens part, it has been 100-400 -> Canon 500mm f/4L IS -> Canon 800mm and finally included the Canon 400mm f2.8 L IS II to my kitty. I started the first lens rental in India for wildlife photographers (based out of Bangalore) that opened up the Pandora box where I had all the key L series lens from Canon which I could use based on the requirement.

 What are the difficulties faced by a wildlife photographer on a regular basis?

Wildlife photography is all about opportunity. You need to be at the right place at the right time with the right kind of equipment & settings and with the right kind of people. There are multiple factors and challenges faced by any wildlife photographer:

  • Getting the suitable vehicle with a knowledgeable naturalist / guide and an experienced driver in any of the National Parks and Sanctuaries is one of the biggest challenges a wildlife photographer faces. No matter what kind of equipment a photographer has, if the logistics is not proper, then you end up with no good photographs.
  • Most of the action in Wildlife happens late in the evening, which means less light. In this situation you face challenges with equipment where focusing will be very slow and you may need to increase your ISO to get a decent shutter speed to capture any kind of action. Fortunately, with the improving digital camera technology, dealing with ISO is something which can be handled. But focusing speed is more related to the aperture of the lens being used as you need a lot more light to enter the camera for faster focusing to achieve. And that comes at a cost.
Flamingos and Wildlife photographer  Sudhir Shivaram
Sudhir Shivaram on location
  • To be a good wildlife photographer, you need to be a good naturalist and understand and follow the ethics of wildlife photography. With increasing affordability of DSLR camera equipment, the number of people aspiring to take up wildlife photography has increased dramatically over the years.  This has resulted in dilution of the ethics of wildlife photography, thus discrediting the entire community at times.
  • From a financial standpoint, the cameras, lenses and accessories along with travel are expensive. No matter how good you are at this, you cannot make a lot of money. It takes several years to build the credibility to make a mark in this genre of photography. The bottom-line of Wildlife Photography is – We are in it because we love it, not with the hope of making a lot of money.

Vulture spreading wings

 

What are your thoughts on raw images vs images that have been worked on (photoshop)?

There is a very thin line between image correction and manipulation.  I have been doing photography for close to 20 years and started with black & white photography during my college days. I have spent time in the dark room developing and processing the film negatives. In today’s digital world, that dark room is basically your computer where you need to process your images. The dynamic range of the camera is limited by the sensor technology, whereas our human eyes can perceive a much larger dynamic range. As the term says, RAW is literally RAW – It’s a data file and not an image file unlike jpeg. You need to process that RAW data to get the RGB values to match to what you saw in the field. And that’s where image processing comes in. My fundamental principle of processing is to show what was seen in the field – nothing more, nothing less. There may be occasions where you may have to remove a distracting twig or play around with the image to show the details in a better way which could not be captured in the field due to various factors. Of course, if you start manipulating your images beyond the normal adjustments, then it is no more photography but digital art. But again, there is nothing wrong in doing so if that is your line of interest. In the end, photography and processing are subjective and you want to please yourself.

honey buzzard photo on a tree

 What are the techniques you use?

Wildlife Photography is all about being at the right place at the right time, with the right kind of equipment and techniques. There is no one single lens available to cover all aspects of Wildlife Photography. You need to get the best from what you have. I typically carry my Canon 800mm f5.6 L IS lens mounted on the 1D Mark IV and the Canon 400mm f2.8 L IS II on the Canon 1DX. This combination gives me the flexibility to make close up images or capturing action and behavior. I have used the double decker technique where I use both the set of equipment at the same time to capture the same scene with multiple focal lengths.

Double Decker Technique by  Wildlife photographer Sudhir Shivaram

How do you plan a shoot?

Photography, in general, is all about pre-visualization and planning. Most of my images are pre visualized and well planned and I go after those concepts/subjects and execute. There is a huge difference between taking images and making images. Anyone can take an image, but to make an image require a lot of knowledge, both on the technical aspects of photography and your subject. There are more than 10 different tasks you have to do before releasing the shutter. Some of it has to be done in advance (like exposure setting and most of the camera settings) and the rest, which is composition, will depend on the kind of subject and opportunity you get.

eye level shot of an eagle

There are various factors involved in isolating your subject and capturing it – The equipment being used, your distance from the subject, the angle of approach, the background associated and the kind of subject being photographed. One of the key aspects in Wildlife Photography is to understand the behavior of your subjects. The circle of fear is part of that. Once you are able to break that circle of fear and the animal knows you are not a threat, it will continue its normal business and that helps to capture the behavioral aspects. All animals do display emotions, especially when they are in a group. Patience and perseverance are keys to capturing these emotions.

 Which is your favorite image? Could you explain the background story behind it?

My “Tiger Siblings and Gaur”  has been my all-time favorite image. Many of my friends who are into Wildlife mention that it’s probably the best Tiger image photographed in India. It was photographed at Lakvalli Forest Range, Bhadra Tiger Reserve. Sighting a few Spotted Deer was itself a challenge in this forest during those times. We were lucky to sight the Tigers and the Gaur and their interaction. For more images and the complete story — Tale of Two Tigers and a Herd of Gaur

Tiger siblings watching a wild gaur

The  images proved to be of extreme importance from a conservation point of view when Wildlife Conservation Society (WCS) discovered that one of the Tiger had travelled all the way from Bhadra to Dandeli Anshi National Park over a distance of 270 Km. This was the first time in history of Tiger study that photographic evidence was there to support that a Tiger could actually travel over such long distances. It was believed that the home range of Tiger was 60 sq km. This opened avenues of study, because there was human habitat en route and the Tiger could not have travelled as the crow flies. You can read more on this here:

Do you have any tips for aspiring wildlife photographers?

There are two important points to be noted to become a good Wildlife Photographer:

  1. You need to understand the fundamental concepts of photography which includes exposure, focusing, composition and execution. You need to move away from taking images to making images. There is a huge difference between the two. Most of the images I make currently are with the concepts of pre visualization, where I frame the image in my mind and then execute it based on the opportunity I get.
  2. The second important aspect in Wildlife Photography is to become good naturalist first, and then, a Wildlife Photographer. As conveyed before, it is important to understand the animal behavior and never cross the line. Understand the circle of fear and see how you can break that to make great images of the animals without causing any kind of stress on them. Remember, no image is worth compromising the safety of the subjects, and yourself.

Bee eater catching a dragonfly

 

Find Sudhir Shivaram on the web:

 

 

Tags
Show More

Vidhu Soman

Vidhu is an enthusiastic photographer from Kerala, India. His desire to share his knowledge and experience on photography was the motivation for creating Shutterstoppers. His dream is to provide a platform for people all around the world to exchange ideas and information on everything related to photography. In addition to photography, he also has a keen interest in traveling, philately and science.

Related Articles

22 thoughts on “Interview With Award Winning Wildlife Photographer Sudhir Shivaram”

  1. This interview is very inspirational and quite different from the other interviews that I have come across so far. Sudhir’s sincerity is evident in every line. I am really touched by the strong ethical values that he follows and encourages others to adopt.
    I have a question to Sudhir about a point he touched upon during the interview.
    I am an aspiring Wildlife photographer. I had the good fortune to visit the Thattekkad Bird sanctuary recently. I carried with me my Canon EF 70-300. I was fortunate enough to get a good guide. But I was unable to get a single good photo. The main reason was that my lens just was not fast enough in addition to my inexperience. I found that smaller birds are rather active and rarely ‘pose’ for a photographer. Do you have any tips for a budding photographer who cant afford the more expensive lenses? For people who have just the standard telephoto lenses? I understand the limitations of the lenses but is there anything that we can do to improve our chances of a good photograph.

  2. Rohit, Thanks for your comments. There are a few key factors to be considered when it comes to equipment. Both the Lens and Camera plays a major role in focusing speed. The lens needs to have a larger aperture opening for more light to come in and the camera needs to be quick enough to focus on the subject.

    You need to understand how the camera focuses and how choosing focusing points and clustering mechanism (depends on camera specs) helps in achieving better focusing. If you enable all the focusing points on your camera – that may not be the best thing to do. Focusing on the subject depends on the contrast of light in your frame. The focusing point where there is high contrast (read it as light emitting) locks on to the subject faster compared to another focusing point where less light is being emitted. So chances are the camera focuses on a point which you don’t want. So you have less control in case you enable all focusing points. Of course this is very subjective as it entirely depends on how light is distributed in your frame.

    I normally enable the center focusing point or sometimes enable the 4-5 central points and create a cluster depending on what I want to shoot. So, you have to be selective in choosing your focusing points to achieve better focus.

    Regarding your second point – Even with a 75-300mm lens you can create great bird images. But that comes with a trade off. You can walk around the entire day and shoot 100’s of bird images, but all average images with the bird being very small in the frame and not getting what you want. You try to get close and they fly away. So the best approach with a smaller lens(or any lens for that matter) is to identify places were the birds frequent (like flowering trees, small water baths in the forest, streams, water body etc etc) . Choose your location and stay put at that place. Depending on the situation you may have to use a small make shift hide. Wait…wait and wait and the bird may approach close to you and you will get that sequence of images which are of good quality compared to 100’s of those average image. This requires a lot of patience.

    At Thattekad, when you enter the sanctuary, there is a water body. You will normally find Lesser Whistling Ducks here. Study their behavior or find out from your guide on – When you find them where in the water body. Most water birds have a specific pattern of swimming in the water. You need to observe and understand that. Say for example they are always found on the far right end of the lake in the evenings, place your self close to the edge of the water body by afternoon and stay put. Be very still….and by evening if they indeed approach you closer, you can make great image even from your 300mm lens. This is a chance you have to take and requires a lot of patience.

    Another best approach with the 300mm lens is to shoot from your vehicle. Just drive around the country side and you will be amazed how close you can get to birds from your car. Most birds are perched on the small shrubs and you can easily approach them. The trick is to shoot from the window of the car. Never try to open the car door and get down…

    My formula is simple – I am happy making 3-4 fantastic images from my entire trip rather than having 100’s of average images.

    Hope that helps.

    Rgds,
    Sudhir

    1. Sudhir

      You have awesome creativity!

      and also Good writing skill I guess..:)

      I am going to follow your formula

      “My formula is simple – I am happy making 3-4 fantastic images from my entire trip rather than having 100’s of average images”

  3. i was very inspired of your work sir
    i am an aspiring photographer in wildlife sir. i have visited so many places in ap sir always i carried my canon 50 d sir but i got some some images are good sir and so thankful to sir i saw so many pictures of you sir unable to get good pictures sir so many complication of my work in this way how did i educate those problems in such a way sir?
    Recently i completed one project in insects sir as my portfolio sir so many times i was soot birds unable to get good image sir i want good guidance how i got that i don’t no sir any way sir i am very much proud to commenting of your images sir

  4. Sudhir, Thank you for the elaborate response! I find your pointers are very specific and relatively cheap and easy to implement. I shall try to implement them on my next trip. I shall share my results. Thanks again!

  5. Sudhir Shivaram, you are very inspiring in your work and your character. Learned much about you that I did not know before reading this interview. I look forward to more from you. Thanks

  6. Mr. Sudhir,
    Iam stunned to see these wild life photos taken by you. They are really marvellolus. Pl. send y;our latest photos to my address. Since, Iam also a photaographer, I will be very much interested in this.

  7. Pingback: Interview with Sudhir Shivaram on shutterstoppers blog « Safari-Photographer.com
  8. Mr. Sudhir,
    Photography has been my first passion since my childhood. Yes its my hobby not the profession but still and fond of photography. I would like you to visit me at Facebook account to see the kind of images I have taken through my non-professional camera and I would also like you to suggest me a good professional camera to take a good and satisfactory start in wild life photography. PLEASE….
    THANKS

    VIJAY MONGA

  9. Mr. Sudhir,
    Your photographs are stunning and I am very pleased to know that wildlife and the environment are so important to you. I feel that too many people are only concerned with the image they capture. I am writing a paper about the ethics that are involved in wildlife photography and I was hoping that you could tell me more about what you believe andwhat rules you follow when you are shooting? Also, have you had any experiences that have affected your beliefs?

    Thank you very much,
    Jessica

  10. Thanks for an excellent interview with a brilliant and honest photographer. It reinforces my belief that the photographer matters much more than equipment he uses. I found especially insightful his comment that “I am happy making 3-4 fantastic images from my entire trip rather than having 100′s of average images.” Spot on, Sudhir. Thanks for sharing your invaluable knowledge with us.

  11. halo sir , i make future in wild life photography so please sir give me training about wild life photography please sir

  12. ..as a beginner ,for me camera is not a machine..its my mind…each frames from my mind…this also my theory…am really inspired by your mindblowing works..
    thnk you sudeer sir for your inspired words..thnk you vidhu for your wonderful writing and informative questions..

  13. Sir
    Indeed sharing your thoughts and experience are real asset for budding photographers like me.
    I am using Nikon D7100 with 18-55 and 55-200 lenses. Planning to buy one lense for better photography purpose. Could you please advise on different kind of lenses suitable for wild life, nature and landsccape photography?
    My budget is around Rs.30000/- for lenses.

Leave a Reply

Your email address will not be published. Required fields are marked *